It might be easier to use the Check One, two system where check represents the loudest youll ever get and one, two equals your normal speaking level (see video if this makes no sense).
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Some of my explanations here will be crude interpretations of the tech as I understand it. This walkthrough is how I currently work with my own gear based on my own research, experience and understanding. Setting Levels In A Mix Free To ShareFeel free to share your process and experience in the comments as it will only add to the content in this post and help others learn even more. Setting Levels In A Mix How To Work WithIn order to correctly setup a mixer that lacks PFL or Solo buttons, you need to know how to work with what the mixer does have. On each mixer Ive used, at the very least, you are supplied with a peak or overload indicator on each channel and of course you have the audio meters. In the video above, I demonstrate how to use each of these tools to get proper microphone levels into your mixer. When I say proper Im referring to levels that the mixer was built to operate best at. These levels are often referred to by manufactures as nominal levels. Typically this means getting your microphone level around zero on your audio meters using a typical analog mixer. Each mixer is built to work its best when you are feeding it input levels that are not too loud or too soft. In the first method, setting up a microphone with the peak indicator located on each channel, the goal is to use the gain knob to achieve a microphone sensitivity that will not activate the peak light yet still send a strong enough level to your mixrecording while the channel fader is in its unity position (not adding or attenuating the level). Setting Levels In A Mix Manual For MixersThis setup is common in the user manual for mixers that do not have solo or PFL options. The second method, which uses the audio meters of your mixer, is my preferred process for setting your microphone inputs. This method is less subjective, employing the actual audio meters which allows you to see exactly where your levels are while adjusting the gain. Each channel on every mixer Ive used has, at a very minimum, a peak, clip or overload light that indicates when you have clipped that channels audio. We can use this indicator to setup the proper gain for our a microphone. Zero the mixer turn the channel gain, level and main mix knobsfaders all the way down. Leave all EQ and pan knobs in their detent position (12 oclock, often represented by a clicking response that you can feel). Talk into your microphone at a level that you would normally record your podcast at. While talking, turn the gain knob up slowly until the loudest parts of your speech activate the peak indicator.
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